Part I.- 1. Introduction-Scripting Real Lives, Davinia Thornley.- 2. The Study of Historical Films as Adaptation Some Critical Reflections, Patrick Cattrysse.- 3. Waiting for the Great Swell of '74 John Milius and Autobiographical Self-projection in iBig Wednesday, iAlfio Leotta.- 4. Making Robert Sarkies' Film iOut of the Bluei Adaptation Indigenization in Aotearoa New Zealand, Davinia Thornley.-
Popis produktu
Part I.- 1. Introduction-Scripting Real Lives, Davinia Thornley.- 2. The Study of Historical Films as Adaptation Some Critical Reflections, Patrick Cattrysse.- 3. Waiting for the Great Swell of '74 John Milius and Autobiographical Self-projection in iBig Wednesday, iAlfio Leotta.- 4. Making Robert Sarkies' Film iOut of the Bluei Adaptation Indigenization in Aotearoa New Zealand, Davinia Thornley.- Part II.- 5. When the Truth becomes Too Hard to Tell Jocylene Saab iDunia i2005, Margaret McVeigh.- 6. Making It RealReel Truth, Trauma, and American Exceptionalism in iZero Dark Thirty, iJennifer L. Gauthier.- 7. The Facts before The Fiction before the Facts Suburra from Novel to Trial to Feature to TV Serial, Paolo Russo.- 8. Reaching Young Audiences through Research Using the NABC Method to Create the Norwegian Web Teenage Drama iSKAMiiShamei, Eva N. Redvall.- Part III.- 9. An Adaptation of Life Ethnographically-grounded Fiction as a Method of Inquiry into Personal Accounts of Traumatic Events, Ester T. Roura.- 10. Writing the Screenplay for the History Film A Case Study Featuring the Historical Figure, C.Y. O'Connor, Nadia Meneghello. p p p
543543
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